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Lai Chiu-han Linda (黎肖嫻) (or Linda Chiu-han Lai, family name 'Lai') is a Hong Kong-based academic, artist, curator and art historian working at the intersections of experimental video art, interactive media and cultural history. Lai is Associate Professor at the School of Creative Media at the City University of Hong Kong.〔(【引用サイトリンク】title=School of Creative Media )〕 She is the founder and artistic director of the (Writing Machine Collective ). Lai received her B.A. in English Language & Literature at the Chinese University of Hong Kong and pursued her M.A. (Wheaton College, Illinois - communication & journalism) and Ph.D. (New York University - Cinema Studies) in the USA.〔(【引用サイトリンク】title=Lai, Chiu-han Linda )〕 Lai's artworks are primarily experiments with various forms of video and installation, based on her research in experimental historiography. Her works have been exhibited widely in Hong Kong and worldwide in cities including Shanghai, Torun, Paris, Barcelona, Kuala Lumpur, London, Taipei, Soeul, New York City and Montreal, and several times in International Competition at the International Short Film Festival Oberhausen (2005, 2009, 2011). == Selected publications == *2013: (Film Locations:Hong Kong,'' ) coedited with Kimburley Wing-yee Choi (Intellect Books) : ISBN 978-1-78320-105-1 *2008: ("Attempting a history of (new) media arts for Hong Kong: archaeology, literacy and education for artists" for the Hong Kong Visual Arts Yearbook 2007 (2008) ) : ISBN 978-962-7055-14-3 *2007: "Whither the Walker Goes: Spatial Practices and Negative Poetics in 1990s Chinese Urban Cinema,” anthologized in (''The Urban Generation: Chinese Cinema and Society at the Turn of the 21st Century'' ), ed. Zhang Zhen (Duke University Press), 205-37 : ISBN 978-0-8223-4074-4 *2007: (art catalogue) (''Re-Fabrication: Choi Yan-chi|Choi Yan-chi's 30 Years, the paths for interdisciplinarity in art (1975-2005)' )', researched and edited for (Para/Site Art Space )'s "Hongkong Artists in the 1980s" series : ISBN 988-98963-2-X *2004: (art book) (''Crypto-glyph: Dialogues in Many Tongues in the Hidden Crevices of an Open City'' ) with Theresa Junko Mikuriya, a 288-page documentation of their 8 rounds of dialogues via photography and text : ISBN 988-97391-1-9 *2001: “Film and Enigmatization: Nostalgia, Nonsense, and Remembering,” anthologized in (''At Full Speed: Hong Kong Cinema in a Borderless World'' ), ed. Esther C.M. Yau, (Minneapolis: University of Minnesota Press, 2001), 231-50 : ISBN 0-8166-3235-9 *2000: "HK Cinema in the 1930s: Docility, Social Hygiene, Pleasure-seeking & the Consolidation of the Film Industry," in (''Screening the Past'' ) (an electronic refereed journal on film and media arts published in Australia), issue #11. Officially Upload on 1 November 2000. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Lai Chiu-han Linda」の詳細全文を読む スポンサード リンク
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